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FEB. MAR. 2018

IV

Bonduelle and Orogel for frozen foods

and to McCain and Lamb-Weston for

potatoes. Of course, we have also

been able to contact local suppliers,

but we have made them immediately

aware of collaboration with Cic. This

is the case, for example, of Rispo,

a Campania industrial company

specialised in the production of typical

products for traditional Neapolitan and

Mediterranean restaurants.

So on the whole is association

with Cooperativa Italiana Catering

positive?

I would say more than positive. We

joined in 2000, driven by the need

to be able to count on a purchasing

power that we could not have achieved

individually. And we are aware that it

was a natural and fundamental step

to give energy and continuity to the

company.

AT PAGE 14

IN DEPTH

FromAmarcord

to comfort food

Revisited traditional dishes adapted

to modern tastes, a warm but not

invasive welcome, a vintage and

comfortable environment: this is how

the “old” trattoria in the 4.0 era is

being revived

By Anna Muzio

Vintage is trendy not only in fashion,

but also in food. Because the simple,

traditional dishes of when we were

children are those that intrigue us

and make us feel at home. Even at the

restaurant.

It is the Amarcord effect (“io mi

ricordo - I remember”, from the

masterpiece by Federico Fellini)

known for some time to food industry

marketing that has revived brands,

logos and antique packaging. And

today it is in the restaurant: we eat

out more and more but at the same

time, or just for this reason, we

choose traditional dishes, those that

our mother or grandmother used to

prepare us as children.

There are two keys that trigger this

effect: familiarity and simplicity.

These dishes are associated with

pleasant memories. It’s an escape,

a refuge in the past or period when

things seemed simpler. Everything,

explain the psychologists, is in that

deep relationship between food and

emotions as told by Marcel Proust

with his madeleine cake, the biscuit

soaked in tea that evokes the world

of his childhood, and indeed the

entire narrative of research. But

memory is not just personal, because

everyone has their own. It can also be

collective, and Italian cuisine is really

full of footholds to arouse memories

of real or supposed infancy,

grandmothers with hands in dough or

Sunday trips out to the restaurant.

FROM THE MADELEINE TO

COMFORT FOOD

That which lies behind the tradition

of the family-run Italian trattoria, in

the confused beginning of this 21st

century in search of reassurance, has

revived itself, renewed, with success.

And, like any self-respecting trend, it

has taken an English name; comfort

food. Which in reality in the Anglo-

Saxon world is a little different: food

that gives consolation and a sense

of well-being often associated with

childhood, yes, but typically rich in

carbohydrates and sugars, for instant

gratification that ultimately makes us

feel worse.

The Italian version is instead

based upon great dishes from the

Mediterranean tradition, taken from

the various regions freely and without

particularisms, and reinterpreted

according to contemporary tastes:

with selected ingredients, often

sourced locally. With that appreciated

touch of craftsmanship, perhaps

enhanced by an open kitchen that

shows the preparation. Paying

attention to as little waste as possible,

even using “poor” or “recycled”

ingredients. Add to this a warm and

familiar decor and a friendly welcome

that makes you feel accepted and at

home, without being so. Also because

their is neither time nor desire to

cook at home, yet something is

missing. Finally, last but not least,

good value for money, with even an

honest and “welcome” bill.

Starred restaurants also understood

this, and it is no coincidence that

they are opening their “bistrò”

versions (the idea came to the French

years ago) of their award-winning

high quality restaurants (expensive,

for both the client but also for the

manager).

TWO SUCCESSFUL EXAMPLES

We asked the souls of two Milanese

restaurants that embraced this

philosophy, Dario Rossi, chef and

partner of Trippa, and Riccardo

Danesi, partner of Dersett, as they

turned to a kitchen that plays - also

- on the “Amarcord” factor. Starting

from a different approach: Trippa’s

very personal “we thought (with

partner Pietro Caroli) to propose a

cuisine that we liked, without doing

market analysis,” a more rational

and business-oriented approach

is that of Dersett “we focused on

communication and played with the

theme of comfort food, and it worked:

we talked a lot about ourselves “.

TRIPPA, A VIRAL SUCCESS

To come here you have to book

weeks before. Yes, because the

word (and the awards earned this

year) have made Trippa, which

opened in 2015, one of the most

desired restaurants in Milan. The

mixed clientele “from families, to

management, to VIPs” looks for a

convivial atmosphere and excellent

cuisine “I do not want to impress with

the technique but with the knowledge

and the story of the product.”

“I come from the gourmet restaurant

side that tired me, I was looking

for a more solid, substantial cuisine

- says Diego Rossi -. Our model

was the typical Italian trattoria.”

In the menu there are traditional

dishes from all over Italy, made with

seasonal ingredients, along with three

or four off-menu proposals “with

complete freedom”, more personal

and “difficult”. The logic of waste

MAGAZINE